
When I first heard about
Martha Marcy May Marlene, I thought it was simply about a young woman recalling her time in a hippy cult. I assumed it would be an inoffensive series of recollections from an apartment in New York or other big city location with the character fully rehabilitated and functioning in society. I even expected some humor. I couldn't have been more wrong about what I saw. It is about an extremely damaged woman trying and failing to re-assimilate herself with her family. She struggles with paranoia and painful memories.
Martha
is played by the delicious Elizabeth Olsen, the younger sister of Mary Kate and Ashley. Boy, do you start to realise very early on who is the true talent in this genetically blessed family. Not just a pretty face, she has already achieved critical acclaim in Hollywood. This film was well-received at the Sundance Film Festival.
From the very start, I was gripped. We see a large farmhouse. Then the inside, where a bunch of girls dressed in hippie clothing sleep : some on beds, some on the floor. Soon enough we see Martha tiptoe out of the front door with just a rucksack, clearly hoping not to be seen. Too late - for as soon as she makes a break for the woods we hear someone shouting after her. There is a chase. We know this is an escape as we see her hide near a burrow. The whole time, the hairs stood on the back of my neck and my hands covered my mouth. And this is just the
first five minutes!A completely disorientated Martha reaches the nearest town and somehow remembers her sister's phone number. This is her only living relative. During the call she mutters and cries, torn in two as to her next move. So conditioned, she repeatedly says she should "head back." Luckily she agrees to be collected.
Soon we see Martha at a beautiful lake house with her sister Katie (Maria Dizzia) and brother-in-law Ted played by the charming Hugh Dancy. At first there is hope for Martha in her calm surroundings. Katie and Ted provide a strong, soothing influence as they suggest swimming and boating activities. They encourage Martha to talk, but have respect for her privacy at the same time. But they quickly realise that this is a woman in dire need of help, for she cannot separate dreams from reality.
Olsen skillfully plays Martha as a fragile but strong-willed character as we see moments of extreme aggression and spark fly out when one least expects it. When she is calm she mostly speaks to her family in monosyllables and avoids eye contact.
We see such a major change in her surroundings compared to the claustrophobic, dirty wooden house where she lived as Marcy May for two years. Her sister's home is by contrast clean, with minimal furniture and a gorgeous view of the lake. Her husband is a successful, comfortable professional who uses this retreat in upstate New York to escape the rat race for a couple of weeks a year. Being surrounded by this privilege and space confuses Martha - she even questions why they need all this room.
The direction and pace of the film is fluid and transitions logically from the present to a memory with one action. One of the many uncomfortable moments is where Martha, Ted and Katie relax by the lake. To Katie's horror, Martha simply strips naked and dives in. We quickly see in her mind's eye many naked bottoms and bodies swimming around her like it's the most natural thing in the world - clearly another memory.
I feel that the cult is basically a hippy commune with rape. It has all the elements - they share beds, clothes and take turns cooking and cleaning. Everything is communal. As bras can't be shared due to varying sizes, they don't wear any.
The "Alpha" is Patrick (John Hawkes) and you immediately sense he is a creep, saying in order to be in this group you have to "give yourself," and that's just what the female occupants do, whether they are aware of it or not. This is "free love" with a nasty twist. What disturbs me more is the possibility that places like this could exist.
John Hawkes plays a fantastic letch and god-like leader. The group is like his little band of disciples. What he says goes. His angular, almost malnourished features give him an edge of menace, and he can switch from caring nurturer to villain in a second. I truly loathed him by the end of the film, and that is the mark of a great actor.
On an amusing note, I feel that Olsen's breasts had two rather prominent roles. As she is bra less the entire time, you cannot help but notice their presence, and during one or two of the racier scenes. However, I do feel they were necessary - the film is about theft of identity, manipulation and taking something away, which is one's body.
Olsen has said "If Kate Winslet can do it and have an amazing career, I can too."
I absolutely agree. I think a star is born, and I can't wait to see more of Olsen's work. This film to me is a triumph as it pushes boundaries with both emotion and content. But it is not for the faint of heart - I would advise a stiff drink before watching this!
Trailer link :
http://www.imdb.com/video/imdb/vi1493409049/